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Monday, January 11th, 2021 06:18 pm
https://www.tor.com/2020/07/14/representation-without-transformation-can-hollywood-stop-changing-cartoon-characters-of-color/

But time isn’t the only thing that’s lost when diverse characters undergo these full-body transformations. Once the characters assume their new forms, the film no longer has to deal with the individual issues and challenges tied to their identities. The Princess and the Frog may be one of the most frustrating examples of this: Tiana is a Black woman living in 1920s New Orleans, putting all of her considerable energy, hard work, and savings toward her dream of opening her own restaurant. During the first section of the movie, audiences see her struggle against sexism and racial prejudice. Investors aren’t willing to back her solely because she’s a Black woman. But the potential to do a deeper dive into how she navigates this world is abruptly pushed aside so we can see the transformed frog-Tiana watch a jazz-loving alligator play the trumpet.